Whose AI? is a socially engaged art project intended to empower young people from underserved communities to (re)imagine the future of Conversational AI, and engage meaningfully in critical dialogues concerning the risks involved in the development and utilization of AI language models. Can we create AI chatbots that prioritize community over profit; value imagination over efficiency; represent unique voices instead of flattening them? The project explores these questions through a series of hands-on, process-driven workshops. Participants will co-construct knowledge about ethical AI by coming together to collectively build AI chatbots in an explorative, transparent, and decentralized way.

Neverending artists’ bios that sound like academia down bad for some ancestry DNA results, community asset mapping, class show-and-tells, all them kids games that count on the number 7C. Wouldn’t it be easy to believe me if I said they was all spread by some well-meaning white women with nonprofit wishes? No Shade Show-and-Tell is part cipher, part circle time and part satire. Bring the ratched relic you couldn’t have been raised without, but Ma refused to let you pack for school. For seven minutes, submerge us in its greatness, retell its story, wrap us in ill reverence, or you just being real. Then we all gonna be up in them bougie art display cases with the velvet lining co-designing a community exhibit that only we could.

I AM THE EARTH AND THE EARTH IS ME (I AM THE EARTH…) engages the residents of Bed-Stuy through participatory research, contemplative workshops and public ceremony. These engagements will be one-time artistic events exploring lineage and ecological consciousness.

I AM THE EARTH…aims to create pathways for community decision-making in a neighborhood that bears a higher environmental burden despite having historically been left out of policy-making that affects its residents.  It responds to the urgency to take care of the land and through doing so, take care of our mental well-being. The project will create valuable research that may be used to inform future community-centered climate solutions for Bed-Stuy.

DEEPENING WITH CHA CONNECTION – Display of (personalized) Gong Fu Cha set up – with a Gai Wan or tea pot, fairness pitcher, one or two tea cups, tea leaves. Additional little details of incense, crystals, small flowers, dry herbs etc. The intention of the “display” is to be a collective tea altar and interactive story-tell / story-share portal. Opening up with, honoring this intention by activating the tea altar with “performing” the start of a Gong Fu Cha “ceremony” and the tea steeped will be the opening offering to the collective tea altar. Collective tea altar will be there throughout the event for folks to be with the tea altar whenever they feel called to it. Inviting folks to be vulnerable, truthful, get real deep (if we want to) and centering stories of the most impacted, most marginalized, disabled, chronically ill, MAD, queer, trans, black, indigenous, people of the Global Majority (QTBIPOC) who are disproportionately, intentionally, systematically, oppressed. There will be some paper available for folks to take a sit (if possible), write something they want to offer to the tea altar (open to other expressions of sharing, too) and something they may have with them that they would like to place on the altar (for however long they feel called to during the event. Welcome to leave it or take it back with them when they leave the event. Closing out the tea altar, with another steep of tea to honor the collective tea altar, stories shared, and gratitude. Grounding in this affirmation for the collective tea altar to be, that the elements of Earth and Nature are big enough, wise enough, (been) here way longer than us… to be able to hold what we feel is too big, too much, too painful. We must remember to root into deeper connections, reciprocity and gratitude as we call on their big support.

DIASPORA LETTERS. This project works with women in the Iranian diaspora. Silent video portraits of women face the viewer while they contemplate the Woman Life Freedom revolution taking place in Iran, as well as their own stories of womanhood, displacement, longing, and dreams for their homeland.

The women in this work of minority and heavily persecuted groups. So far they include women in the Baha’i community and the LGBTQ+ community. There is an open invitation for diasporic Iranian women to participate in the project by adding your face or voice to the project, which will be housed on the artists website, and shown in public spaces.

The silent videos are accompanied by personal stories told by the participants. Their voices don’t match their faces, and come in and out of the silent stares.

Guests are invited to leave messages to the women in the work by following a QR code where they can either upload a voice note, written note, or both.

In addition to the video and storytelling work, there is a light work installation. On the work, in Farsi, it written the memorable final words of Persian-Baha’i feminist figure, Tahirih. She famously said to her executors: 

می توانی به زودی مرا به قتل برسانید. اما جلوی ازادی زنان را نمیتوانید بگیرید

You can kill me as soon as you wish but you will never stop the emancipation of women

Powerful words which are embodied by the women and men of Iran today who are risking everything for the same rights and equalities.

SUPERFUND SOLILOQUIES – A participatory public art project about Newtown Creek.