• Guest Artists
  • Project Credits
Xenoduo: Miguel Alejandro Castillo and Xinan Ran

Xenoduo is a creative collective between visual artist Xinan Ran (b.1994, Inner Mongolia, China) and Miguel Alejandro Castillo (b.1993, Caracas, Venezuela). Since 2017, the duo has been collaborating on installation and performance projects exploring diasporic imagination, future folklore, and the nuanced art of cross-cultural and transatlantic homemaking.

Xinan Ran received her MFA from Hunter College (2022), and BFA from Pratt Institute (2017). Ranked “Highbrow and Brilliant” by the New York Magazine Matrix, Xinan is a New York State Council on the Arts grant recipient, was a mentee in New York Foundation for the Arts’s Immigrant Artist Mentoring Program (2023), a Lower Manhattan Cultural Council Arts Center resident (2022), and an Ox-Bow Summer Fellow (2016). Apart from her studio practice, Xinan is an art educator, an art administrator and an aspirational set designer for new theaters.

Miguel Alejandro Castillo holds a bachelor’s in dance and theater from Middlebury College and an M.F.A in Choreography and Performance from Smith College. Miguel is one of the “25 performers to watch out for in 2024” by Dance Magazine. Miguel has performed in the U.S and internationally in the works of Faye Driscoll, Jawole Willa Jo Zollar, Jeanine Durning, Maria Hassabi, Tzveta Kassabova, Laurel Jenkins, Delfos Danza Contemporánea, among others. Castillo is a danceWEB scholar at the Impulstanz Festival in Vienna in 2021, a New York Live Arts Fresh Tracks Artist in 2022-2023, and an Abrons Arts Center artist in residence for 2024-2025.

Xenoduo’s project A Mobile Home was selected as More Art’s 2024 Engaging Artists Commission.

Noah Fischer, photo courtesy of Pioneer Works. Photo by Walter Wlodarczyk, 2017

Noah Fischer is a Brooklyn-based maker, performer, and educator whose work shifted from the gallery to the streets; from installations into stage design and performance, organizing, drawing, and writing. Noah has contributed to public discourse over the role cultural institutions play within capitalism and the debts that affect creative communities. He has exhibited in museums internationally with and without permission. As a founding member of Occupy Museums, a member of Gulf Labor Coalition, and a longtime collaborator with Berlin-based theater group andcompany&Co, he balances collective and solo practice. He has participated in the Berlin Biennale, documenta, Whitney Biennial, and the Venice Biennale. Fischer teaches art at Parsons and NYU. He is currently finishing a science ficton novel about direct democracy.

Reverend Billy and the Stop Shopping Choir. Image by Adelaide Fringe.

The character of Reverend Billy was developed in the mid 1990s by actor and playwright, William Talen.

The Reverend Billy character debuted on the sidewalk at Times Square in 1998, outside the Disney Store, where he proclaimed Mickey Mouse to be the anti-Christ. He was arrested multiple times outside the Disney Store, where he duct-tapped Mickey Mouse to a cross. Reverend Billy’s sermons decried the evils of consumerism and the racism of sweatshop labor, and what Talen saw as the loss of neighborhood spirit in Rudolph Giuliani‘s New York.

The Reverend Billy character isn’t so much a parody of a preacher, as a preacher motif used to blur the lines between performance and religious experience. “It’s definitely a church service,” Talen explained but, he added, it’s “a political rally, it’s theater, it’s all three, it’s none of them.” Alisa Solomon, the theater critic at the Village Voice, said of Reverend Billy’s persona, “The collar is fake, the calling is real.” Along with the Church of Stop Shopping, they have been referred to by academics as “performance activism,” “carnivalesque protest,” and “artivists”

The Stop Shopping Choir is a radical performance community based in New York City. They come to the Choir from many different creative and activist backgrounds. They have evolved a very particular sound and performance experience from the synthesis of our lived experience. They are grounded in the work of Justice and in service to the Earth. They love to Sing together.

Supporters

Everyone Who Lives Here is a New Yorker is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

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